MUSIC THEORY MASTERY

 1. Introduction to Music Theory

 2. The Keyboard Dissected

 3. WTF Is Music Theory

 4. WTF is a Scale

 5. Major Scales

 6. Minor Scales

 7. Piano Finger Numbers and Positioning

 8. Your 15min Daily Keyboard Practice Drill

 9. The Circle of Fifths

 10. DAW Setup MIDI Clip Hacking

1. Introduction to Session 2
2. Pentatonic Scales
3. Hirajoshi Scale
4. Iwato Scale
5. Hungarian Scale
6. Modes
7. Intervals
8. Ostinatos Arpeggios
9. MIDI FX Plugin Tricks Ableton

1. introduction to Session 3
2. Chords Defined
3. Chord Intervals
4. the Relationship Between Chords and Scales
5. Chord Progressions
6. Writing Session - Harmonic Composition

1. Introduction to Session 4
2. Chord Inversions
3. 7th Chords
4. Harmonic Voicing
5. Writing Session Part 1 - Harmonic Composition
6. Writing Session Part 2 - Arpeggio Writing Technique

1. Introduction to Session 5
2. Suspended Chords
3. Developing Chord Progressions
4. Slash Chords

1. Introduction to Session 6
2. Creating A Chord Progression 1
3. Creating A Chord Progresison 2
4. Composing A Melodic Ostinato
5. Orchestration Strings
6. Bass

1. Introduction to Session 7
2. Call Response in Drums
3. Chord Arpeggio MIDI File Hacking
4. Call Response in Melody 1
5. Call Response in Melody 2
6. Bass
7. Pads
8. Conclusion of Session 7

1. Introduction to Session 8
2. Chromatic Mediants Part 1
3. Chromatic Mediants Part 2
4. Chromatic Mediants Part 3
5. Negative Melody

1. Introduction to Session 9
2. Negative Melody and Harmony - A Recap
3. The Concept of Polarity In Music
4. Polarity and The Circle Of Fifths
5. Examples of Negative Harmony in Ableton Live
6. Ionian and Phrygian Modes as Musical Palindromes
7. Melody Writing and Inverting with Negative Harmony
8. Mirror Modal Equivalents
9. Creating Variation with Negative Harmony
10. Chords and Negative Harmony
11. The Power of Music Theory

1. Introduction to Session 10 - What Makes a Good Melody?
2. Melody Analysis - Monolink - Return to Oz - Artbat Remix
3. Melody Writing Session - From Scratch
4. Conclusion to Session 10

1. Intro to Session 11
2. Melody Structure
3. Melodic Minimialism - Doing More With Fewer Notes
4. Harmonising Part 1 - Controllers
5. Harmonising Part 2 - Melody with Underlying Bass Chord Progressions
6. Harmonising Part 3- Pads and Counterpoint
7. Pads - Creating Complexity with Chords
8. Working with Acoustic and Organic Instruments
9. Organic House Track Walkthrough and Orchestral String Harmony - Jam Session

1. Intro
2. Creating a Basic Chord Progression
3. Adding Rhythm to a Chord Progression
4. Using Voice Leading to create a Cohesive progression
5. Adding more interest using Voice Leading
6. A final Voice Leading Example and Summary
7. Using Voice Leading in a Minor key